We carried out this installation from September 9 to 16, 2012 on the Digue du Large. A week in front of the sea, drunk with the wind and the sun, doing this ridiculous and magnificent gesture together. The work withstood a force 9 mistral, but not a few human hands. We have seen of our work only what we give you to see here. Barely completed, the installation was destroyed by a passer-by from La Digue and not a single gold leaf was found around it! We will never know what displeased him so much, or perhaps this passer-by got caught up in the work, seeing in it valuable material ? The investigation was vigorously carried out within the Port and will remain unanswered: who stole the gold from Africa ? that was the question asked, they simply told me at the security service secretariat… The two days that followed, we again covered a few blocks with what was left of the adhesive, to finally see from the sea, during a boat trip, the bursts of light from Golden Africa…
Adrift project
Golden pier
2011
Al Maaden - Marrakesh
Hassan Darsi prolongs with the "Golden Jetty" his "Applications gilding", a series of works and interventions initiated in 1999.
The installation imagined for the Al Maaden site in Marrakech, made up of around fifty golden cubes, is the transposition of a maritime jetty that enhances the ocean of greenery that constitutes the very fabric of the site. A jetty, like a golden necklace, placed at the edge of the grassy expanse, which underlines the fragile junction with the islets of land, sometimes bare, sometimes planted. A jetty that preserves both of them, by following their peaceful curves. A jetty as an evocation of an absent marine element, as an invitation to dream and travel...
A luminous device extends this golden jetty at nightfall while underlining its trajectory by signaling it, like a terrestrial lighthouse that follows the natural rhythm of day and night on the site. During the day, the golden cubes offer a stroll punctuated by a play of shadows and sunlight. In the evening, a luminous path given by the lighthouse signals the edge and gives the gilding a new robe of light.
By superimposing these two worlds, Hassan Darsi adds a poetic dimension to the reading and perception of the site, at the same time as he underlines its lines and breaks.
(Florence Renault)